“Dominant” Photography Culture

Iconic, classic photographs seem almost to magically appear, fully formed with their accompanying public sentiment, mythos, and impact. This may be because those images tend to be tied strongly to a current event which enters the zeitgeist as news, widely shared and discussed, relevant to the conversation. In the last few years those photographs have... Continue Reading →

Port Talbot: Easter Bank Holiday, 2024

Until now my time in Wales was limited to the Brecon Beacons where I've documented Green Man festival there across a few years. Port Talbot is decidedly not the Brecon Beacons, in fact I've read some opinions that it is the worst place in Wales to visit at all. https://i.imgur.com/7lgd24X.jpg A large factor in this... Continue Reading →

January, 2024

After a project-filled close to 2023, and equally busy few days at the start of the year I had a bit of breathing room to start to map out where I want to sake things with this year. I had about a week with no events or anything lined up, so was able to take... Continue Reading →

Winter Solstice 2023

For a few years now I've been working on a project involving Stonehenge during it's use over the Summer and Winter Solstices as an active religious/spiritual site. I realised I haven't done a proper write up of any of these instances outside of a more critical use of the work in a side by side... Continue Reading →

Make Your Photographs “Work”

For a photograph to "work" you have to first decide what you want it to work for. Will an abstract, experimental portrait "work" to illustrate an article about a businessman in a finance magazine? Maybe. Will a macro still life of a bug "work" as part of a picture-essay from a war zone? Unlikely, but... Continue Reading →

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